Tagged: half-square triangles

Sunday sketch #282

I’ve often said that I’ll revert to playing with half-square triangles if I don’t have any new ideas up my sleeve. And often, it’s easy to come up with something using HSTs. This week’s design isn’t novel – you might even argue that it’s not modern – but I like it for its calmness and repetition, its simplicity, and this muted colour scheme. It feels like a much-needed palette cleanser.

These blocks are square and set on point. The blocks themselves have a 4 x 4 layout: HST ‘borders’ surrounding a central square, that itself can be a large HST. The next designs play around with colouring the internal (large) HST and the external (small) HSTs in different ways.

  

Or I can colour them all in for a bolder look. This feels modern yet traditional; old yet new. I love designs like this.

Using a reverse colourway for just the blocks (rather than for the design as a whole) helps to show you how they’re square blocks set on point:

Expanding the colour palette gives you additional options, too.

  

This week’s designs could all be made into an actual quilt using HSTs and squares (or more HSTs). I tend to put broad borders around designs like this one, to give the eye more negative space to rest on. But I know plenty of people hate adding borders to quilts. I think the designs would work well without them too.

Sunday sketch #271

I call myself a modern quilter, but not all of my quilts (or my quilt designs) are modern. Some of them definitely lean more traditional. Don’t get me started on how to even define ‘modern’ and ‘traditional’ quilts – I honestly don’t know, and I don’t think there’s a clear line that separates them. But sometimes a design just feels less like one and more like the other. It might be the layout, or the blocks, or the colour scheme, or the fabrics.

This week’s designs feel more traditional to me, probably for a few reasons. I picked a muted colour scheme, for one. And the designs are based on a sawtooth star, which dates back at least to the late 1800s. And I’ve gone for a regular, repetitive layout, instead of introducing the negative space or asymmetry that you might expect in a modern quilt.

But hey, enough of my yakkin’. Let’s get started!

OK, so I introduced a little bit of negative space, just to make it seem like this design is on point (it’s not). This is a 5 x 5 layout, with some borders added, and the 4 corner blocks removed. Some of the colours extend from one block to the next, which helps to tie the blocks together.

Here’s the same design with the corner blocks added back in, plus a version with slightly different colouring.

The colouring can also be pared back to highlight less of the foreground and more of the background. This first version feels like lacework letting the light through. And switching the colour of a few of the smaller elements from black to white gives an entirely new version with a whole other feel.

Paring back to just one colour requires filling in different shapes to distinguish the blocks. Now it’s like baubles and stars intertwined. This might make a good Christmas quilt in a different colourway!

Sticking with the two-colour design, we can highlight all the stars in white. The interstitial shapes become square-in-a-square units – some blue on white, and some white on blue. If this design didn’t feel traditional before, it does now!

I like the idea of paring back the design even further, so those square-in-a-square units become more prominent. The version on the left is just the same one as above, without the stars around the edges. In the version on the right, the middle squares of 4 of the white sawtooth stars have been coloured blue, blending them into the background. Suddenly it feels like the whole design is squares on point!

There are so many other ways these designs could be coloured to change the overall look and feel. And so many ways to make the design into an actual quilt: squares and square-in-a-square units; half-square triangles, flying geese and squares; or square-in-a-square units, half-snowball units and squares.

 

Sunday sketch #268

If you’ve been following me for awhile, this week’s Sunday sketch might look familiar. It’s a reworking of my pattern Heartbreaker, using half-rectangle triangles instead of half-square triangles.

(Heartbreaker was published in Love Patchwork and Quilting magazine in 2018 and renamed ‘Raspberry Crush’.)

So let’s call the original Heartbreaker I and this one Heartbreaker II. Changing the basic unit from a HST to a HRT does a few things… first, whereas Heartbreaker I uses 5 colours, Heartbreaker II uses only 4. It can be hard to find the gradation of colours necessary to make this design, so the fewer colours needed, the better. And second, I felt like the elongated shape of the HRT called for a vertical rather than horizontal arrangement, so I’ve rotated the layout 90 degrees from the original. This makes it a bit easier to see the ‘heart’ shapes that prompted the name.

I’m working on releasing Heartbreaker I as a pattern. It’s still one of my all-time favourite quilt designs. Maybe I should add a variation for Heartbreaker II??