A pretty basic design this week, made more interesting by the way it’s coloured.
(And yep, it’s my usual palette of orange, hot pink and yellow!)
I keep trying to find new colour palettes to play with, but I usually end up using at least a few of my favourite colours – like dark blue and light pink – and slotting in something new (like that green).
Isn’t that a lovely mix of colours?
You can also flip this design so that the cross-quilt colour is light instead of dark. I switched the dark blue and white:
Suddenly those shapes seem to come to the foreground, like a layer of lace laid over the top. And the colours themselves seem more interrupted. I think I prefer the darker version!
I also think this design could look pretty cool on point – just angle your head 45 degrees in either direction, and you’ll see what I mean.
This quilt design would be easy to make into an actual quilt: it’s all just half-square triangles and flying geese. Maybe a square-in-a-square to save a bit of time and a few seams.
There should be a name for when the same shape appears in the foreground and the background in a repeating pattern. It hasn’t happened for awhile – the last one I can spot on my Instagram feed was Sunday sketch #110, posted in August 2018. Sunday sketches #102, #103 and #104 are also good examples (I was obviously hung up on that theme then!).
In this week’s design, the pointy crosses – the ones in that light and dark teal – come to the foreground. The coral shapes recede to the background.
But look closer: those coral units are the exact same size and shape – a pointy cross. Each of the background shapes is made from the corners of the adjacent 4 blocks, but they end up being the same as the main shape that appears in the centre of the block.
Together, they make a checkerboard grid on point. The white squares help to break up the repetition, and the slightly different colouring of the two sets of shapes helps to distinguish them further.
Alternating the block colouring helps to define the boundaries between blocks, and disguises the similarity between the foreground and background shapes even more.
Again, those white squares help to break up the colour and the busy-ness of this design.
As a block-based quilt, this one would be relatively easy to make. It’s just half-square triangles, flying geese units, a square-in-a-square unit, and some squares and rectangles. It’d be great for playing with transparency.
I had an idea for a block this week. Two pairs of diagonal strips with angled ends, overlapping in the middle to create an ‘X’ shape. Don’t ask me where the idea came from – I must’ve seen an ‘X’ somewhere and wondered if I could do something with it.
One of the things I love most about quilt designing is the fact that a single block can create a million quilt patterns, just by rotating or colouring it differently. Case in point…
OK, that’s 4 (well, 2 colourways of 2 designs). I made more, but I just liked these 4 together. They’re all a 6 × 6 layout of the same block, using only 4 colours (I know, I know – black and white aren’t colours). Some use transparency; some don’t.
I actually love the idea of creating a single quilt with all 4 of those designs, with the same colour palette to pull them together. Wouldn’t that be cool?
The best thing about this design might be how basic the actual block is.
Given its symmetry and structure, I bet it’s a traditional block that’s been used before – it’s probably even got a name. It’s like a variation on a sawtooth star. Obviously, with different colouring, this block could be used to create completely different designs that don’t look anything like the ones above.
Making these designs into actual quilts would be pretty easy. You’d just need 4 flying geese blocks, 4 half-square triangles, and one square-in-a-square for the centre for each block.