Tagged: drunkard’s path

Sunday sketch #263

This week’s design is pretty basic (very basic!) but I’m OK with that. I love how the overall layout feels fun and off-kilter because of the different sashing widths. I love the colour palette and those pops of acid yellow. And I love all the movement created by two of the most basic blocks around: half-square triangles and drunkard’s paths.

Here it is without the extra sashing around the HSTs and without the acid yellow.

Wouldn’t this make a great stash-buster pattern? Pick a colour palette and then just start mixing and matching prints (or solids). Quick and easy!

Sunday sketch #250

Congrats to me for making it to 250! And thank you to you for following along 🙂

Alternating blocks this week: a drunkard’s path and a bunch of half-square triangles.

Rotating the drunkard’s path blocks by 180 degrees gives the impression of moving the circles one block vertically and horizontally. This also gives the impression of a reverse colourway, although the designs are both black circles on white backgrounds. But the previous version had a dark border, whereas this one has a light border.

Alternating the direction of the drunkard’s path blocks introduces new curvy shapes, while leaving the HSTs in the same position.

And, of course, the addition of another colour can help to create new shapes and movement too.

I also tried replacing the HST block with another square block design, just to see how it would look. The ‘waves’ created by the linked drunkard’s path blocks are still there, but now there are diagonal strings of stars instead of those HST blocks. This is giving me big Star Spangled Banner vibes!

These designs are all made with an alternating arrangement of square blocks: either a drunkard’s path block or a block of 9 HSTs (or a small sawtooth star block). The HSTs block can look somewhat traditional rather than modern, but the right combination of colour and contrast will bring it into the 21st century.

Sunday sketch #248

A very basic design this week, which immediately brings to mind arches and tunnels.*

Whenever I sit down to sketch without any particular design in my head, I start by playing around with basic shapes – circles, squares, triangles, rectangles. This is the first thing I came up with this week – a few lines, a few curves. A cute colour palette that makes me happy.

It’s not a groundbreaking design – someone somewhere will have already made a quilt just like this, I’m sure. (I even searched Pinterest for examples, but no luck. Laura Ward’s ‘Getting over the hump’ quilt uses arches of different scale and a limited colour palette, and Tula Pink’s Gothic Arches quilt pattern repeats the same shapes at different scales… but I can’t find an example of curved arches repeated like this… if you know of one, tell me and I’ll update this post!)

Anyway… my goal with the Sunday sketches is to explore geometry, practice playing with new shapes, make designs that make me happy… and inspire others to do the same. Sometimes even the most basic designs tick those boxes.

The blocks can be rotated to create a secondary shape – those black lozenges cut across with coloured triangles. The horizontal breaks between the rows feel like they’re descending slowly to the right… is that just an optical illusion?

I also tried a version in which the blocks don’t have that horizontal strip of colour at the bottom. This allows the arches and tunnels to sit directly on top of each other. In some cases, the background colour of one arch flows into the foreground colour of the tunnel above it. I don’t really plan colour placement when I’m colouring designs like this… I just work with one colour at a time and try to space things out so they feel comfortable to me. Occasionally I’ll avoid placing the same colours next to one another, but other times I just let it happen.

One advantage to removing the horizontal strip is that when blocks are rotated, the lines flow from one to the other without interruption.

And, because all these tunnels and arches make me think of aqueducts, I made a design with blocks of different size – a bit like the Pont du Gard.

These blocks are all made with triangles (somewhere between half-square triangles and half-rectangle triangles), curves (two adjacent drunkard’s path units or a single semi-circle) and strips. It would require lots of repetitive piecing, but I find that those quilts are often the fastest to sew!

* My husband helpfully suggested that I paint this design on a wall and wait for someone to crash into it hahahaha. Yes, it’s a bit Wile E. Coyote / Road Runner-esque…!