Most of the curvy designs I’ve created lately in EQ8 have some kind of internal symmetry – which, let’s face it, isn’t that unusual for me. This week’s Sunday sketch, featuring a pair of hearts, is a simple two-colour design that’s the same up as it is down.
Those curves are so voluptuous! Like a modern, geometric version of a Rubens painting or a Botero sculpture. (Hey, maybe I should add this design to my quilts-honouring-artists series!)
This design is just curved blocks, squares and large rectangles. If you could power through the 16 drunkard’s path blocks, you’d be done in no time!
I’ve been on a curve kick lately, mocking up a million designs in EQ8. ‘X’ marks the spot!
This design and colour palette totally make me think of a team shirt for a roller-derby squad or a bowling club or something. Like an 80s overload with neon. Super-cool!
I tried it in a few more colours, too. (The usual!)
This quilt design is on point and uses mostly strips and squares, with a few curved blocks thrown in. You could use templates for the curved blocks, to ensure that the lines were nice and evenly spaced. I think the whole thing would come together pretty quickly.
I’m still submitting quilt patterns to magazines, because a deadline seems to be the only way to motivate me to sew! My latest pattern is out now in Quilt Now, a UK-based quilt magazine. Meet Whirlwind!
Whirlwind started life as Sunday sketch #119, which I posted on Instagram on 7 October 2018. I had sketched out an idea of interlocking curved arrows on paper, then figured out the actual construction in Electric Quilt 8.
It’s actually a lot easier to make than it might look*: some rectangles and squares, a few curves, and a few quarter-square triangles. My Instagram feed from around that time shows a few other variations you could easily make – for example, by replacing the arrowheads with rectangles (#120) or going monochromatic (#121).
I used all Art Gallery Fabrics – Pure Solids in Canary, Burnt Orange, London Red, Raspberry Rose and Snow for the front, and Squared Elements in Citrine for the back. I’d used Art Gallery Fabrics before, for Loophole, so I knew they’d have a lovely look and feel. And the range of colours in the Pure Solids collection meant that I had no problems picking the right shades of yellow, orange, red and pink (still one of my favourite combinations!).
And I decided I’m not going to stress over machine quilting anymore! I am thrilled to have found a fantastic edge-to-edge longarmer, Sharni Crossett from Lyrebird and Lamb Quilt Works, to quilt my quilts for me. I used to agonise over the cost, but I’ve finally realised that it’s more than worth it: sending my quilts out saves me not only lots of time, but also lots of stress, panic, anxiety, and more stress. I think edge-to-edge quilting patterns look much nicer and more professional than my go-to grid quilting, too.
If you make Whirlwind, I’d love to see it! Tag me on Instagram or send me an email.
Issue 63 of Quilt Now is on sale from Thursday 16 May. You can find it in newsagents or online.
* I’m pretty sure I always say that! But it’s true 🙂