Sunday sketch #302

I’ve used lots of hard angles lately, so let’s relax with some groovy curves this week!

This is a block-based design: the version above uses a 4 (across) x 6 (down) layout. (I liked the idea of stopping the design before the bottom edge of the frame, kinda like the design is dripping down the page.) Anyway, in the design above, the inner blocks each have four colours (with the tiniest of background colour in their corners), while the outer blocks have three colours plus background. I’ve coloured the blocks to create those big S shapes that extend between blocks.

The S shapes are made from two types of curves: quarter-circles (or drunkard’s paths) and elongated 2:1 curves (twice as long as they are wide – which I first encountered using the long drunkard’s path templates from Jenny Haynes of Papper, Sax, Sten).

Combining these two shapes gives some really organic, flowing movement across the entire quilt design. You can put your finger down, trace along a curve, and it’ll just keep meandering round the page. I love it.

I also love how the use of colour can suggest transparency, just because of how the curves seemingly overlap.

All those swirly, globular shapes remind me of a lava lamp.

This design could be made into a quilt using just curves (and some borders). I use templates for curves: for cutting the pieces and for trimming the final units. I like Jenny’s templates because they’re oversized, so you can be a little off with your sewing and still trim down to a perfect drunkard’s path or long oval drunkard’s path unit. (I don’t get anything from Jenny for spruiking her awesome templates! I just like telling people about products I like 🙂 )

Sunday sketch #301

The similarities between this week’s design and last week’s Sunday sketch are probably pretty obvious. Those square-within-a-square motifs are still there, but now connected by triangles instead of small squares.

The added angles from the triangles lend more movement to the design. And they present more opportunities for interesting block placement.

I like a dark background, but I also prefer the darker triangles – so back to a white background it is!

I like the balance between the straight edges on one side of the design, and the staggered, overhanging triangles on the other side.

This week’s design is a fairly straightforward one – just alternating blocks, set on point. Half of the blocks are square-within-a-square units, and the other half are half-square triangles. I’ve only used three colours here, but you could probably get away with more. I reckon a scrappy approach might work too. Try it and see? (Then let me know!)

Sunday sketch #300

I’m not gonna make a big deal about this week being Sunday sketch #300, but… #300! I say it every 100 sketches or so, but I never thought this weekly habit would last this long. Thank you for following along with me!

So this week’s sketches use a motif that appeared in last week’s sketch: a square within a square. Not the start-of-an-economy-block kind of square-within-a-square, where the inner square is set on point in relation to the outer square. Just a regular small square taking up one quarter of a big square. Anyhoo…

So I decided to play with that shape some more, cos it’s kinda cool just on its own.

In these designs, I’ve laid out a 12 x 12 grid in which the square-within-a-square units alternate in rotation – half of the units have the small square in the top right, while the other half have the small square in the bottom left.

Sometimes with really simple, repetitive motifs like this, I like to crowd the design with loads of them so you start to see movement and secondary shapes and recurring lines, etc. But it’s also nice to pare them right back, so you get a really simplistic representation instead.

And then I started playing with orientation. (See my note below about the similarity of this version to the Thrive Quilt pattern from Suzy Quilts.)

And then with scale again.

And then with other types of movement.

I didn’t play with colour, but that’s obviously something else you could vary. And there are opportunities to introduce transparency by using a colour on the small squares that combines the colours of the adjacent squares.

This series of designs led to an entirely different series of related designs that I’ll post soon. Oh, and those designs led to other ones too. These are versatile shapes, and it’s really easy to make small tweaks to create large variations.

But back to this week’s designs. They could all be made into quilts using just squares and rectangles. And because of the repetition, they’d really suit chain piecing. It’s probably the sort of top you could cut and piece in a day (famous last words!).

Note: There are definite similarities between some versions of this week’s design and the Thrive Quilt by Suzy Quilts. Whereas I use a 4-patch square-in-a-square block, Suzy’s pattern uses a 9-patch that takes that block one layer further (basically surrounding a square-in-a-square with two more sides). We both alternate the blocks to create a zig-zag effect, and we both make the small squares a feature. But I started with a different orientation and I’ve used colouring in a different way (alternating adjacent blocks). Despite the similarities, I’ve posted these versions to show the iteration between last week’s designs and next week’s.