Tagged: triangle in a square

Sunday sketch #309

Australia got a new prime minister this week, so it feels like the perfect time for a bright and happy multicoloured design.

This design is a single block on repeat. Although the block is made up of a few different elements – which I’ll talk about later – I’ve stuck with only a few colours per block. I wanted to emphasise certain shapes, and not let the whole design get over-busy. One way to reduce busy-ness is to use the same colour in certain parts of all blocks – in this case, using white for that internal octagon in each block.

Here’s an even sparser colourway that matches the internal octagon to the background colour (white):

The centre of each block is a square that could fit just about any other type of block, but here I’ve used the sawtooth star – one of my favourites, and a traditional block that I come back to again and again. Sawtooth stars have several elements (the internal square and the outer half-square triangles), and they too can be coloured differently to create another variation of this design.

These blocks remind me a little of storm-at-sea blocks, as all the lines around the central square in each block meet the lines in adjacent blocks, creating movement that draws your eye round and round.

I added even more movement by colouring some of the shapes that emerge between adjacent blocks. (And added a border so your eye has somewhere to rest.)

The outer points of the blocks are positioned in such a way that shifting blocks along a bit still lets them touch by their tips. So I can stack them in tilting instead of vertical columns. Some of the movement from the earlier versions is gone, replaced by movement in new directions.

And the blocks in each row can be connected again, as before.

These blocks are created using a bunch of basic units. Each block is a 16-patch, with the central 4 patches merged to create a larger square that fits the sawtooth star. The 4 corner patches are half-square triangles, and the 4 sides (comprising 2 patches each) are triangle-in-a-square blocks (facing each other with their points touching).

Pretty much any block could be squeezed into that inner square – even a mini version of the same block. I like sawtooth stars cos they’re simple and easy to make, but also just cos I love the way they look.

I could’ve kept iterating this design to try and create one with a bit more negative space, but then you’d lose a lot of that movement, I think. And not every design needs to be ‘modern’ in that way… this one feels a bit more ‘contemporary’ than ‘modern’ (although don’t get me started on how to differentiate between the two…). It definitely has traditional leanings, and next week I’ll share variations that take the design even more in that direction.

 

Sunday sketch #254

Recognise the pinwheel flags from last week? Here’s where they started.

I’ve been playing with elongated curves lately. I was prompted by the oval drunkard’s path templates from Jenny Haynes / Papper, Sax, Sten, which I got awhile back. They’re 2:1 curves, so twice as high as they are wide (standard drunkard’s path blocks are 1:1 – the same width and height).

I wasn’t sure how to make 2:1 curves in Electric Quilt, but I figured out that you can draw a standard curve, then select it and drag it the box around it to create new dimensions. I’m not sure I got the dimensions quite right in this design, but I got sidetracked by the concept of using curves in this way. It’s a concept I’ve tried a few times recently – you might’ve seen Sunday sketch #251, and I’ll post some other designs like this in the future.

Anyway – alternating blocks help to introduce a bit of negative space, so the whole design doesn’t feel too crowded.

The great thing about a four-colour palette is how many combinations are possible. Here are a few.

It gives a slightly different feel to the design if you switch the order of the alternating blocks, so that the curved blocks are in the corners.

I used sashing between the blocks, so it’s possible to use all curved blocks throughout the design without making it feel too crowded…

…but I still prefer the alternating arrangement of curved and non-curved blocks.

I love the oval drunkard’s path shape! It lends a bit of wonkiness and an informal feel to the overall design. I’m looking forward to trying out the Papper, Sax, Sten templates and coming up with more curvy designs. This one could be made using the templates, triangle-in-a-square units, and squares.

 

Sunday sketch #253

I’m posting a little out of order this week. If you’ve been following for awhile, you know that one sketch will often spark an idea for a second sketch, which will morph into a third sketch, which can lead off in another direction to a fourth sketch… and so on. When this happens, I usually post the designs in order of creation, so I can easily tell the story of how they evolved. But not this week.

You’ll see this ‘pinwheel flag’ motif (for lack of a better description) in an upcoming sketch, where it first started. But I like the simplicity of this variation, so I’m posting it first.

I tried to inject a bit of bright colour into this one, because my default palette with this dark blue is often white and grey….

In the variations above, there are secondary squares created by the closest quadrants of four adjacent blocks… so four white ‘flags’ create a white square, and four blue flags create a blue square.

But the flag colours can be mixed up to avoid creating those squares. I like to create designs that offer choices for colour placement, particularly with a limited palette.

I’ll do a bit more with this block next week. But in the meantime, here’s another variation, created by colouring in the secondary squares with the alternating colour. I also flipped the orientation of this one, to avoid potential problems.

I like how these two versions look almost chaotic and improv-y but are actually very controlled and rule-based.

All these designs could be made into quilts using a triangle-in-a-square block and squares. That’s it!