Tagged: square
Sunday sketch #287
This week’s sketches are iterations of last week’s. It’s been awhile since I’ve done a series of related sketches. Although I’m not sure two posts in a row counts as a series…!
So last week’s sketches were all based around interlocking crosses – a bit like Brigid’s crosses – with alternating blocks having the reverse colouring. Using random colour placement instead produces a design like this:
And then I just started removing bits. I designed the block using flying geese and a square-in-a-square units, which means there are lots of bits that can be subtracted to create new and interesting designs. Here’s the first design again:
And here it is with alternating blocks removed (actually still there, but with only the centre square showing), to add some more negative space and help you see the individual crosses (or what’s left of them):
I also tried a simpler palette, so you can concentrate on the shapes rather than the colours.
This week’s sketch could be made into a quilt using flying geese, squares, square-in-a-square units and rectangles.
This isn’t one that I’ll be rushing to make, but I enjoyed the process of iterating the design and exploring different shapes and palettes. That’s the kind of experimentation that I like doing with the Sunday sketches – often a little shape or combination of shapes will spark a new idea and a new sketch. For example, I really love this little shape, which is repeated and rotated in the above designs:
It feels a bit like fingertips touching (not that I’m comparing my work to that of Michelangelo or anything..!). Anyway, I’ll keep playing with it and see if I can come up with something new. Watch this space!
Sunday sketch #284
I think I’ve found a new favourite colour palette.
This design emerged from another one I was working on recently. I used the ‘Symmetry’ function in Electric Quilt 8 and voilà – this emerged. Well, OK, not quite this… but enough to give me the idea to make it into this. Sometimes I just need to see a certain shape, or adjacent shapes, and I’ll get a new idea and run with it.
I did create a bunch of variations, but I felt like letting this one stand on its own today.
As you can probably tell from the design, this sketch could be made into a quilt using squares (big and small) and half-rectangle triangles. I’ve used a really scrappy approach when it comes to colour placement, which I think works well.
Sunday sketch #283
This week’s block-based design combines straight lines and curves to create unexpected secondary shapes within and between blocks.
The diagonal lines in the four flying geese around the centre square create a square on point within each block. And the outer quarter-circles in each block create circles with the blocks next to them. Lots of movement to draw your eye and keep things interesting!
I first explored this idea of introducing interstitial curves in Sunday sketches #209 and #210 – both designs use blocks with curves that create circles with adjacent blocks.
The fact that there are several elements within each block also presents lots of opportunity for colour play. In these first two versions, I’ve used a palette of 4 colours. Each block has 4 main elements: the curvy bits, the outer part of the flying geese, the inner part of the flying geese (which together create a square on point), and the inner square. So I can use one colour per element per block – which helps to balance the colour nicely across the whole design. (This is an approach I’ve used before – making sure that each element/colour pair appears only once in each row or column. It’s an easier way for my analytical brain to balance colour across a design.)
But there are plenty of other ways that this design could be coloured. You could use just one colour per block (plus white, which helps to tie the whole design together, and the dark background colour).
Or, of course, white as a background colour.
A pared-back palette also works; two main colours can be alternated across blocks for a bit of visual interest.
With (at least) 4 elements per block, lots of different colour placements are possible. I find that it can help to reduce the chaos if at least one element is coloured the same across all blocks (here, the middle square uses the background fabric).
Or, every block could be coloured the same way. Depending on the colour choice, this could be a nice understated way of interpreting the design.
This week’s design could be made into a quilt using quarter-circle blocks, flying geese and squares. (Plus borders, if you like to have the design ‘floating’ in the middle a bit, like I do.)
I really love this design (I know I always say that!), but I am so indecisive about a colour palette that I haven’t tried making it yet. Hopefully one day!
